Marina Daiman

Marina Daiman (Università di New York) ha lavorato per la sua tesi di dottorato sul tema Rubens Remaking Rubens: Self-Repetition, Transformation, and Invention in Early Modern Art (2016), pubblicando tre saggi di cui l’ultimo, Boundless Invention and Confines of Support in the Work of Rubens, è in corso di pubblicazione sulla rivista «Journal of Historians of Netherlandish Art».

Marina Daiman (New York University) has worked on her PhD thesis on Rubens Remaking Rubens: Self-Repetition, Transformation, and Invention in Early Modern Art (2016), publishing three essays, the last of which, Boundless Invention and Confines of Support in the Work of Rubens, is forthcoming in the «Journal of Historians of Netherlandish Art».

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