Working closely with academics worldwide, in hopes of facilitating cultural exchange and widening the
circulation of historical and other humanistic research, Viella will now offer in English both original works and
translations of existing studies.
Cristina Legimi, La danza nel pensiero medievale tra esegesi e predicazione (p. 26-52).
Dagoberto Marki, Le duc, les échecs et la métaphore du bon gouvernement (p. 53-59).
Sezione monografica: “The Doctor on the Stage: performing and curing in early modern Europe” (guest editor Robert Jütte)
Robert Jütte, The Doctor on the Stage. Introduction (p. 63-71).
Alessandra Rizzi, Medicine of the soul, medicine of the body at the end of the Middle Ages (p. 72-87).
Alessandro Arcangeli, Dance between disease and cure: the tarantella and the physician (p. 88-102).
Maren Goltz, The role of music on the stages of quacks (p. 103-115).
Anat Feinberg, Quacks and Mountebanks in Stuart and Caroline Drama, (p. 116-126).
Ole Peter Grell, From God to Devil: Self-presentation and Performance by early modern Physicians and Surgeons (p. 127-143).
Margaret A. Katritzky, Gendering tooth-drawers on the stage, (p. 144-181).
Gerda Bonderup, Performance in Medicine in Denmark during the XVII and XVIII Centuries (p. 182-191).
Claudia Stein, The Function of the Quack as a Means of Group Distinction in the Medical Community of Sixteenth-Century Augsburg. Preliminary Thoughts (p. 192-200).
David Gentilcore, «Tutti i modi che adoprano i ceretani per far bezzi»: Towards a database of Italian charlatans (p. 201-215).
María Luz López Terrada, Medical pluralism in a Renaissance city: the case of Valencia (p. 216-232).
Kerstin Retemeyer, «das alle frömbde unnd landtstrychende artzet, salbenschryger, bruch-, stein- und augenschnyder inn unnserer landen allerdings abgeschafft […] werde». Zum Agieren von Scharlatanen und Lachsnern in Zürich im 17.-18. Jahrhundert (p. 233-257).
Colin Jones, The Arts of Quackery in early modern Europe, (p. 258-261).
Schede/Cards/Fiches/Karten
Alessandro Mazzola, Giocatori e spie. Note e segnalazioni in materia di ludicità veneziana del XVIII secolo (p. 265-269).
Libri/Books/Livres/Bücher
À quoi joue-t-on? Pratiques et usages des jeux et jouets à travers les âges, recensione di Thierry Depaulis, (p. 270). Sociopoétique de la danse, recensione di Margaret McGowan (p. 270-272). Ulama. Jeu de balle des Olmèques aux Aztèques / Ballgame from the Olmecs to the Aztecs, recensione di Iris Gareis, (p. 272-273). Alfonso X el Sabio, Il libro dei giochi, recensione di Jean-Michel Mehl (p. 274). Maria Giuseppina Muzzarelli, Gli inganni delle apparenze, recensione di Christiane Klapisch-Zuber (p. 275-277). Lucia Nadin, Carte da gioco e letteratura tra Quattrocento e Ottocento, recensione di Thierry Depaulis (p. 277-278). Enrica Rigotti e Roberto Adami, L’arte del gioco. I giochi nel Comun Comunale dal XVI al XVIII secolo, recensione di Gherardo Ortalli (p. 279-280). Jànoska Antal, Tarokk Album. Kártyakészítés és tarokk-játék a XIX-XX századi Magyaroszágon, recensione di Gherardo Ortalli (p. 280-281). Échiquiers d’encre. Le jeu d’échecs et les Lettres (XIXe-XXe siècles), recensione di Giampaolo Dossena (p. 281). Le sport et ses espaces. XIXe-XXe siècles, recensione di Gherardo Ortalli (p. 282-283). Giocattoli. Produzione ed evoluzione dal XVIII al XX secolo, recensione di Alessandra Rizzi (p. 283-284).
Notizie/News/Nouvelles/Nachrichten
500 Jahre Würfelspiel. Austellungskatalog (p. 285-286). En marge d’une exposition: quelques jeux dans l’Aemilia romaine (p. 286-287). Wolfgang Dekker, Joachim Ebert (6.3.1930-1.10.1999). Eine Würdigung aus sporthistorischer Sicht (p. 287-289). Sport et Nature dans l’Histoire (p. 289-290). In breve: convegni/mostre/premi/riviste (p. 290-292).