Sometimes she returns. Monique Wittig and Italy
The article reconstructs the impact of Monique Wittig’s writings in Italy. It
highlights the constant removal of a passionate way of thinking characterized
by an unwillingness to mediate, which re-surfaces after generations at a time
when a new rigid counter-code is appearing in feminist and post-feminist
debates. Wittig is a figure of excess, an extraordinary creator of linguistic
inventions, who revolutionizes languages and syntactic structures, mixes
literary genres, destructures political axioms. She is loved and hated with the
same polemic ardour. Yet, even when all traces of her writings seem to have
been lost, she inevitably returns.