Girls, boys, and talking animals: Eduard Uspeenskij and the
last soviet generation
The article discusses the transformation of the models offered to Soviet
children between the late 1960s and the late 1980s, through an analysis of the
work of Eduard Uspenskij (b.1937). Uspenskij is one of the main representative
of Russian folk tales tradition and his tales provided a strong critique of adult
society, described as distracted and indifferent to the most important aspects
of life. The article is divided in four parts: the first discusses the historical
and ideological context of Uspenskij’s literary production and the literary
canons characteristic of Soviet childhood literature. The article moves then
to analyse three of Uspenskij’s most representative works: Gena the crocodile
and his friends (1966), Uncle Fëdor, his dog and his cat (1974), The School of
fur animals (1989). The three stories have as main protagonists children and
talking animals and are particularly useful to illustrate, showing in particular the
important symbolic role that was recognised to girls in the stories. In his efforts
to renew childhood literature, Uspenkij attributed a particular important role
to girls, as mediators between the world of humans and the world of animals.
The three stories also illustrate the ability of Uspenskij’s children to redefine
the boundaries between public and private, through real and imaginary travels
in search of new subjectivities.